(Source: VIU)
VIU will hold the fifth edition of the Venice Multidisciplinary World Conference on Republics and Republicanism on June 26-28, 2026. This three-day edition will include research papers and multidisciplinary roundtables.
The conference will primarily reflect on Power, Freedom and Oligarchy from the point of view of political theory and philosophy, and law; of political, cultural, economic and social history; and of practices in the contemporary world.
Keynotes
How to Apply
Any scholar interested in participating in the Conference is invited to send a paper title with an abstract of approximately 250 words plus their CV and full contact address (including email) to luca.pes@univiu.org and in CC silvia.casalini@univiu.org.
Accommodation
The deadline to book your accommodation on the island is February 28, 2026.
The Aim of the Conference Series
A Worldwide and Multidisciplinary Perspective
The main groups of themes we wish to cover:
1) Political theory and philosophy of Republicanism. This is an area of contributions which is most conceptual. It has to do with meta-historical considerations. Its main concern would be to define what the republican tradition is all about, and what are the republican aims and forms of life. If a coherent theory of republicanism is possible, then how does it differentiate itself from its rivals (including populism and liberalism)? Are there different regional or national models of the classical republican tradition? This section could include also issues like Feminism and Republicanism, and a discussion of Republican theory of private property/ownership and the commons.
2) The historical manifestations of Republicanism in ideas, movements, regimes, urban spaces, and the arts. This includes all the approaches which involve rigorous historicization and historical circumscribing: from Greek and Roman Republicanism to the Italian Republics in the Middle Ages and the Venetian, Florentine and Genoese polities and then on to the Dutch and English revolutions; free cities in medieval and early modern Europe – from the Hansa experience to Ragusa; from the American founding fathers and the generation before them to the French revolution and the French and Italian 19th century versions of Republicanism. The US context could be also crucial to understand how republicanism transformed itself into populism. Art forms of Republicanism fall in this area too; including Republican rituals in specific time and place; and manifestations of Republicanism in literature too. A major target is to consider also the manifestation of Republican forms and values in Asia and other parts of the world in specific periods.
3) The study of contemporary political and legal practices which are explicitly or implicitly republican and their future prospects. This area could include both institutional and social practices from below. It could include the study of EU as manifestation of a republic in making. It could involve the study of eco-republicanism, gender issues, participatory budgeting, citizens assemblies, participatory planning, welfare and workplaces, forms of co-management, urban and other commons, movements for the defense of public water, of internet accessibility, of a public space, practices in contemporary arts.
Links
More on the theme of the 2026 Venice Biennale International Art Exhibition: In Minor Keys (excerpt from the declaration of intent by the curator: “The minor keys refuse orchestral bombast and goose-step military marches and come alive in the quiet tones, the lower frequencies, the hums, the consolations of poetry, all portals of improvisation to the elsewhere and the otherwise. The minor keys ask for listening that calls on the emotions and sustains them in return. / The minor keys are also the small islands, worlds amid oceans with distinct and endlessly rich ecosystems, social lives that are articulated, for better and worse, within much larger political forms and ecological stakes. Here, the evocation of the key and the island extends to an archipelago of oases: gardens, courtyards, compounds, lofts, dance floors — the other worlds that artists make, the intimate and convivial universes that refresh and sustain even in terrible times; indeed, especially in terrible times”).
Organizing Committee
Dario Castiglione (University of Exeter), Sara De Vido (Ca' Foscari University of Venice), Oleg Kharkhordin (European University at St. Petersburg), Luca Pes (Venice International University), Banu Turnaoğlu (Sabanci University / Cambridge University)
Advisory Board
Elisabeth Crouzet-Pavan (Sorbonne Université, Paris), Cécile Laborde (Oxford University), John Jeffries Martin (Duke University), Quentin Skinner (Queen Mary University of London), Ananya Vajpeyi (Centre for the Study of Developing Societies, New Delhi), Camila Vergara (University of Essex), Sabrina Zucca-Soest (Helmut Schmidt Universität, Hamburg)
No comments:
Post a Comment