(Source: Cambridge University Press)
Cambridge University
Press is publishing a new book on the history of the interaction between religion
and copyright law in America next month.
ABOUT THE BOOK
Copyrighting God
provides the first detailed account of how American religious organizations
used copyright in sacred texts not simply for economic gain but also for social
organization and control. Including chapters on the angelic authorship of The
Urantia Book, Mary Baker Eddy's use of copyright to construct the Christian
Science Church, interdenominational disputes in the Worldwide Church of God,
and the Church of Scientology's landmark lawsuits against Internet service
providers, this book examines how religious copyright owners mobilized the law
in order to organize communities, protect sacred goods, produce new forms of
spiritual identity, and even enchant the material world. In doing so, this book
demonstrates that these organizations all engaged in complex efforts to
harmonize legal arguments and theological rationales in order to care for and
protect religious media, thereby coming to a nuanced understanding of secular
law as a resource for, and obstacle to, their unique spiritual objectives.
ABOUT THE AUTHOR
Andrew
Ventimiglia, University
of Queensland TC Beirne School of Law
Andrew Ventimiglia is a Research Fellow in the University of Queensland TC Beirne School of Law. He works in the areas of legal history, religious studies, and media studies, with a research focus on the history and cultural effects of intellectual property law. Ventimiglia was awarded a Ph.D. in Cultural Studies from the University of California, Davis in 2015. He also holds an M.A. in Cinema Studies and a Certificate from the Culture and Media Program at New York University. Ventimiglia's work has appeared or is forthcoming in Cultural Critique and the Journal of the American Academy of Religion.
Andrew Ventimiglia is a Research Fellow in the University of Queensland TC Beirne School of Law. He works in the areas of legal history, religious studies, and media studies, with a research focus on the history and cultural effects of intellectual property law. Ventimiglia was awarded a Ph.D. in Cultural Studies from the University of California, Davis in 2015. He also holds an M.A. in Cinema Studies and a Certificate from the Culture and Media Program at New York University. Ventimiglia's work has appeared or is forthcoming in Cultural Critique and the Journal of the American Academy of Religion.
TABLE OF CONTENTS
Introduction:
owning the sacred
Part I. The
Angelic Author and the Sacred Work:
1. Spirited
possessions
2. The angels'
share
Part II. The
Doctrines of Religion and Law:
3. Authorship
and authority in intellectual property
4. A market in
prophecy
5. Digital
liability and the Church of Scientology
Conclusion: the
afterlife of intellectual property.
More information
here
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